In Chloe Domont's debut film, "Fair Play," the battle of the genders takes center stage, set against the backdrop of a male-dominated hedge fund world.

The movie features Emily (Phoebe Dynevor) and Luke (Alden Ehrenreich), an engaged couple working as analysts at One Crest Capital.

The film kicks off with an intimate moment between Emily and Luke, but as it unfolds, it delves into their relationship's darker and more violent aspects.

"Fair Play" aspires to critique gender and power dynamics in both professional and personal spheres, earning buzz and acclaim at Sundance, along with a hefty $20 million deal from Netflix. But does it live up to the hype?

To some extent, yes. Chloe Domont delivers a gripping relationship drama with outstanding performances by Dynevor and Ehrenreich.

However, while it attempts to provoke thought on gender issues, it doesn't break new ground, treading on familiar territory.

The story unfolds within the corporate world of One Crest Capital, where Emily and Luke navigate their secret relationship to avoid company policy violations.

Emily, especially cautious about her career, worries about revealing her relationship in the male-dominated office.

Their worlds collide when Emily secures a promotion that Luke coveted, leading to a tumultuous shift in their relationship dynamics.

Luke's character takes a sinister turn, revealing his true colors as he grapples with Emily's success.

Although Alden Ehrenreich delivers a captivating performance, the progression of his character feels predictable.

In contrast, Emily's character presents a more intriguing journey. Competent and aware of the challenges women face in the workplace, she must navigate a complex terrain.

Phoebe Dynevor skillfully portrays Emily's vulnerability and determination, capturing the essence of an outsider.

While "Fair Play" explores the corrupting influence of power, especially when Emily asserts her authority over Luke outside of work, it often falls into predictable patterns.

"Fair Play" offers moments of chemistry and hedge fund intrigue but falls short of fully realizing its ambitions to dissect power, gender, and ego.