A recent concert performance by Atif Aslam has sparked a debate online after a video of the singer dancing went viral.
Known for his soulful vocals more than stage choreography, Atif surprised fans with an energetic routine — and quickly faced accusations of copying Indian star Diljit Dosanjh’s style.
Atif Aslam is admired on both sides of the border, and many Indian artists have openly taken inspiration from his music. But this time, the tables turned as the Pakistani singer himself was accused of copying an Indian celebrity—particularly the dance style of Punjabi superstar Diljit Dosanjh.
A viral clip from Atif’s recent music concert shows him dancing enthusiastically on stage. Many viewers noted that this was the first time he performed such expressive dance moves in a live show, as he typically keeps his performances focused on singing.
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Fans compare Atif’s dance moves to Diljit’s bhangra style
Shortly after the video circulated, social media users began drawing comparisons between Atif Aslam and Diljit Dosanjh. Diljit is widely known for his energetic Punjabi bhangra-inspired dance routines during live concerts.
Some fans accused Atif of trying to imitate Diljit’s stage presence, pointing out similarities in body language and energy. Others claimed the dance looked “forced,” arguing that Atif “doesn’t need to dance” to entertain his audience.
Reactions were mixed.
Some users criticized the performance and commented that Atif Aslam “does not look good while dancing,” urging him to stick to his signature singing style.
Others defended him, saying artists should be free to experiment, and praised him for stepping out of his comfort zone.
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A portion of fans also highlighted that Atif has never been known for dance-heavy performances, which is why the viral clip received extra attention.
Diljit Dosanjh has long built a reputation for delivering spirited bhangra dance breaks during his concerts. His energetic, crowd-engaging moves have become an iconic part of his brand.
Atif Aslam, on the other hand, rarely incorporates dance into his performances — making this recent choreography notable and open to comparison.
